http://neotericart.com/2008/04/24/interview-with-sangram-majumdar/?utm_source=rss&utm_medium=rss&utm_campaign=interview-with-sangram-majumdar An online art magazine ~ Established 2008 Wed, 16 May 2012 15:09:20 +0000 hourly 1 http://wordpress.org/?v= http://neotericart.com/2008/04/24/interview-with-sangram-majumdar/comment-page-1/#comment-1521 Portrait of an Artist: Sangram Majumdar « The Jerusalem Studio School Thu, 01 Apr 2010 12:43:52 +0000 http://neotericart.com/2008/04/24/interview-with-sangram-majumdar/#comment-1521 [...] In several other online interviews (be sure to read here and here), you talk about the role of memory in painting, of transforming and editing the painting when away [...] [...] In several other online interviews (be sure to read here and here), you talk about the role of memory in painting, of transforming and editing the painting when away [...]

]]> http://neotericart.com/2008/04/24/interview-with-sangram-majumdar/comment-page-1/#comment-1197 Painting Perceptions » Blog Archiv » Interview with Sangram Majumdar Wed, 16 Dec 2009 20:11:18 +0000 http://neotericart.com/2008/04/24/interview-with-sangram-majumdar/#comment-1197 [...] schedule to answer a few questions for this blog. Another excellent read is the 2008 interview at Neoteric Art with [...] [...] schedule to answer a few questions for this blog. Another excellent read is the 2008 interview at Neoteric Art with [...]

]]> http://neotericart.com/2008/04/24/interview-with-sangram-majumdar/comment-page-1/#comment-1005 Joel Flora Thu, 06 Aug 2009 18:12:18 +0000 http://neotericart.com/2008/04/24/interview-with-sangram-majumdar/#comment-1005 Something about his work gets to me, perhaps its the feeling that in some of his paintings, the action exists just outside the frame and we are seeing the explosive and fragmented result; the shadow cast by a main character that we cannot see. A very interresting concept,. Something about his work gets to me, perhaps its the feeling that in some of his paintings, the action exists just outside the frame and we are seeing the explosive and fragmented result; the shadow cast by a main character that we cannot see. A very interresting concept,.

]]> http://neotericart.com/2008/04/24/interview-with-sangram-majumdar/comment-page-1/#comment-36 jbeckman Tue, 29 Apr 2008 02:04:11 +0000 http://neotericart.com/2008/04/24/interview-with-sangram-majumdar/#comment-36 one of my favourite figurative painters! thanks so much for the interview! this site is really great, i look forward to reading more! one of my favourite figurative painters! thanks so much for the interview! this site is really great, i look forward to reading more!

]]> http://neotericart.com/2008/04/24/interview-with-sangram-majumdar/comment-page-1/#comment-33 Bonnie Sklarski « MW Capacity Fri, 25 Apr 2008 12:53:16 +0000 http://neotericart.com/2008/04/24/interview-with-sangram-majumdar/#comment-33 [...] Also, Matt pointed me toward (and maybe he’s already pointed you there, too) an interview with Sangram Majumdar at neotericart.com: “What I seek in the work is a sense of time and the range of human awareness and interest, [...] [...] Also, Matt pointed me toward (and maybe he’s already pointed you there, too) an interview with Sangram Majumdar at neotericart.com: “What I seek in the work is a sense of time and the range of human awareness and interest, [...]

]]> http://neotericart.com/2008/04/24/interview-with-sangram-majumdar/comment-page-1/#comment-27 matt ballou Thu, 24 Apr 2008 20:06:20 +0000 http://neotericart.com/2008/04/24/interview-with-sangram-majumdar/#comment-27 sangram is a pretty inspiring example for younger painters like myself (i have to admit that i'm biased being a fellow IU MFA graduate). i always make a point to swing into ann nathan gallery when he's showing there - usually a number of times - because his paintings have a revelatory quality in their construction that isn't simplistic or affected and really provides that visual connection between process and the resulting image. what i really enjoy about all of the work is the play between broader movements of color or shape and the areas of more specific definition. those deftly designed elements that sing just right in the midst of the totality are all the more motivation for me to pursue the work as a viewer. great stuff. sangram is a pretty inspiring example for younger painters like myself (i have to admit that i’m biased being a fellow IU MFA graduate). i always make a point to swing into ann nathan gallery when he’s showing there – usually a number of times – because his paintings have a revelatory quality in their construction that isn’t simplistic or affected and really provides that visual connection between process and the resulting image. what i really enjoy about all of the work is the play between broader movements of color or shape and the areas of more specific definition. those deftly designed elements that sing just right in the midst of the totality are all the more motivation for me to pursue the work as a viewer. great stuff.

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