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Jennifer O'Connell: I think the concept of the interior has always been at the core of my paintings even before it was my subject. My initial painting interests were with figures; my family and friends; people I knew so well, buy Camazepam online with no prescription, Buy Camazepam online no prescription, that I really wasn't after a likeness as much as underlying psychology. When I began with interiors it was because I was trying to develop the environments that the figure inhabited, buy cheap Camazepam. Camazepam in uk, I found that the rooms were very interesting without the glaring eyes of the figure. There is a hierarchy when you have a figure present; every object relates back to it with no way to explore the space on your own without being "watched." I want viewers to confront objects on their own, Buy Camazepam Without Prescription.

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JO: Yes and no, where can i find Camazepam online. Purchase Camazepam online, Reality in my paintings obeys a logic, but it is bendable; it provides a springboard into the painting, Camazepam pills. Camazepam from international pharmacy, Yes, I paint in my home in Massachusetts, cod online Camazepam. Order Camazepam online c.o.d, My prerequisites for choosing a place to live are not things like, "good plumbing" or "great location" (although they come into it), Camazepam trusted pharmacy reviews. Buy Camazepam Without Prescription, I look for variety in the way that light travels through the space; wood floors reflect a lot of light from windows, etc. Buy cheap Camazepam no rx, I like the character of older houses; mine is an early 1800's colonial style with lots of old molding, patches, online buy Camazepam without a prescription, Where can i buy Camazepam online, and dents on the walls. I live in the space I paint, next day Camazepam, Camazepam craiglist, so I experience different lighting and arrangements of objects on a daily basis; it gives me options. I enjoy painting the remains of something that happened; artifacts of daily life, purchase Camazepam online no prescription. Purchase Camazepam, On the other hand, I manipulate object arrangements; I enjoy the mischievous role I play behind the scene, Camazepam to buy online.

NA: Describe your thought process when choosing to paint a certain interior.

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NA: Do you see yourself moving away from these interiors or is there more to explore?

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NA: You just recently had a 2 person show at Adam Cave Fine Art, real brand Camazepam online. Buying Camazepam online over the counter, How was that experience?

JO: The exhibition went well; I sold about half of the paintings in the show. I am glad to work with such an experienced gallery owner, Camazepam in mexico. Adam Cave spent ten years as director of another gallery before opening his own space in downtown Raleigh, NC, Buy Camazepam Without Prescription. Buy Camazepam online with no prescription, I was actually showing at a gallery in Savannah, Georgia when I was approached by him, Camazepam discount. Camazepam in usa, By representing a limited number of artists, he develops a more distinct viewing audience for each person, buy Camazepam online without a prescription. Camazepam paypal, There is a loyalty in that kind of practice that you don't see very often in commercial galleries.

NA: Which painters have influenced your work?

JO: I look at a lot of contemporary painters like the Zeuxis group of still life painters and the Midwest Painting Group which tend to be great painterly representational painters with strong academic ties, Camazepam medication. Sale Camazepam, Eve Mansdorf and Tim Kennedy's paintings are some of the most quality figure paintings today with beautifully described moments amid much larger structure. My work is continually influenced by partner, saturday delivery Camazepam, Over the counter Camazepam, Brian Kiernan who makes large-scale landscapes with levels of structural resolution that are equaled only by their spontaneity. I like the subtle power of Morandi's table theaters, buy Camazepam without prescription, Free Camazepam samples, Giacommetti's searching linear structure, Corot's composition and light, buy Camazepam without a prescription, Camazepam in japan, Cezanne's play with illusion and surface, Rembrandt's light and dark, Camazepam over the counter, Camazepam prices, and Albers' color, but that is only what comes to mind right now...When I paint, order Camazepam online overnight delivery no prescription, Purchase Camazepam online, these are the people who talk to me.

www.jenniferoconnell.net.

Category: Interviews 6 comments »

6 Responses to “Buy Camazepam Without Prescription”

Bill Dolan
October 30th, 2008 at 8:02 am
I like your reasoning for leaving people out of the rooms. I think the viewer interacts with the people in a painting and not the room itself, whereas here the viewer is the person in the work. It gives one a chance to explore. I also like the heaviness of the paint. The light seems to take on a solid, physical presence.
Norbert Marszalek
October 30th, 2008 at 11:01 am
“There is a hierarchy when you have a figure present; every object relates back to it with no way to explore the space on your own without being “watched.” I want viewers to confront objects on their own.”

I like what Jennifer says here. Interestingly though with my own work, I want the viewer to confront the figure(s) and the interior together. Maybe I want the viewer to feel as if they are being “watched”. I like that level of uncomfortableness.
Bill Dolan
October 30th, 2008 at 2:47 pm
Both approaches lead to different relationships between the viewer and the work, which is a good thing.

Different objects in a room could lead to a different feeling as well, depending on how familiar or comfortable the viewer is being around certain things. In the case of Norbert’s work, one could feel uncomfortable, voyeuristic, sympathetic, etc. depending on what the figure is doing, expressions, etc.

This manipulation of the viewer’s experience is what makes art interesting.
Norbert Marszalek
October 30th, 2008 at 2:57 pm
Bill, I think your approach is similar to Jennifer’s except that you deal with exteriors.
Victoria Webb
March 5th, 2009 at 12:49 pm
I think of Bonnard coupled with a looser Vuillard when I look at these colorful works.

I especially like the fact that there often seems to be an (articifial) light source within the room. It makes for an intimacy that’s contemplative.
michael neary
November 13th, 2010 at 11:11 am
Really enjoyed the work and the interview- very articulate and supports the intelligence in the pics. Some affinity, perhaps, to Joan Steinman’s work in color key and structure.