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Category: Articles, Essays, Reviews 4 comments »
May 7th, 2009 at 8:51 am
The lack of energy surrounding the show last week is one of the reasons why I just didn’t feel like attending. I’m sure, as is the case every year, there was good stuff and bad stuff. I get to see a lot of art during the year so I feel like I didn’t miss much.
Others have been calling for a different model art fair and a different model for the gallery system. My question is what would that model be?
May 10th, 2009 at 7:51 am
Art In America article:
http://www.artinamericamagazine.com/news-opinion/finer-things/2009-05-08/art-for-all-at-chicagos-fairs-/
May 10th, 2009 at 7:32 pm
Bill I am so sorry to hear your experience of Art Chicago and Next was not fulfilling, and I’m sorry you didn’t go Norbert. My experience was totally different. I loved every second of the show and felt the energy was better than the previous two years I’ve been. Maybe because I moved here from Atlanta, and because Atlanta doesn’t have an international art fair, I am always excited and feel lucky to go.
I found the Art Chicago floor livelier than expected and the majority of galleries eager to talk about the artwork and show. Several of the galleries had artists present and talking about their work, with one or two booths almost in party mode, overflowing into the halls. Only one gallery from Spain was particularly unapproachable, but the opportunity of seeing the paintings in their space in person, was worth enduring my cool reception.
I have read other reviews that also mention the lack of wow factor paintings, but for me there were plenty, and the overall cumulative effect I felt was the sense of a common creative bond and energy that we all bring to our lives and work.
I for one will keep my fingers crossed that the show was successful and that it will be here year after year.
May 20th, 2009 at 1:44 am
First of all, big shoutout to the CAW peeps! It’s been too long. Just checked the website; thought I’d add my two cents.
ArtChicago, as it alway does, generally overwhelmed in the bad areas and underwhelmed in the good ones. Very few pieces actually stopped me in my tracks, although I have to say the few gallerists who witnessed my amazement were more than happy to talk at length. Bill’s right: the best work was from Asia. Actually my favorite pieces were repeats from last year, but still amazing (the mulberry paper-wrapped moonscape assemblages of Kwang-Young Chun). One gallery from Charlotte had some very nice pieces, especially really late Beardens, and Carrie Secrist downright represented with that swirling bodies photo montage. As usual, the fancy armchairs and douchebags decked out with blueteeth and suits gave the whole shebang a white-collar meat market feel, but sadly that is to be expected.
NEXT was solid, I thought, and thankfully less Science&Industry than last year (the Death of American Muscle? Please.). The hipsters doing their ca-razy thang got to be a bit much (anybody catch the jello wrestling? how about the grubby caterwaulers from Heaven gallery, complete with sawyer?), but I suppose that adds to the fun of the whole thing. The actual art, I thought, was more consistently engaging at NEXT than ArtChicago, but the latter’s larger scale allowed for more, albeit sporatic, true delights. And did anybody count how many damn portraits of JFK and Lincoln there were? Sheesh.
I reckon I’m lacking some deep insight in my analysis here, but so be it. I enjoyed my 5 hour stroll. For those who went, did you catch Mike Rea’s giant wooden gun? Good times.