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Category: WTF 9 comments »

9 Responses to “Buy Methyldopa (Aldomet) Without Prescription”

Norbert Marszalek
May 13th, 2010 at 9:31 am
I have personally learned a few things from some “artist marketing” books and have also had a few phone sessions with an Art Coach but as I stated there is a time to get away from all this “clutter” and just do it what feels comfortable and natural.
Luis DeLaTorre
May 14th, 2010 at 9:18 am
Great post Norbert I have noticed the same thing and to me it seems like it’s a whole new industry of getting Artist to buy or invest in a coach or book or whatever it is and It kinda feels forced. I do agree with you about learning the process how ever you can but I feel being yourself will always be the best way.
Norbert Marszalek
May 14th, 2010 at 9:47 am
Thanks Luis. Yeah, an artist needs to figure this stuff out for themselves. If an artist’s objective is to show in a big-time gallery than the artist needs to take the necessary steps in achieving that…but if an artist is happy showing at their local café, well then, that is a different path.
gage opdenbrouw
May 14th, 2010 at 10:27 am
agreed. seems like telling artists what they should do is regular industry. it’s easy to understand why artists are looking for some kind of formula, though, since the path is often so different, nebulous and tough for each. but there don’t seem to be easy answers as much as we would like some.

it’s pretty obvious, now, what to do–”the Mr. Brainwash” approach is available, if you have the funds, the ego, and lack of attachment to personal dignity.
Dan Andre
May 14th, 2010 at 7:32 pm
ditto, ditto, ditto, the same tired ditto, I agree use common sense or email the gallery, dealer, museum etc. and ask how they would like to be approached.

One other point, in all those books I’ve read, they talk about how artists should tell the gallery and or dealer why their work fits into the gallery, etc., BUT I ask you, when do the galleries, dealers, etc., tell the artists what they are looking for?
Bruce Thorn
May 15th, 2010 at 8:32 am
Agreed. You can do everything right all the time but it is not up to artists who succeeds (in the conventional, rewards sense) and who doesn’t. An artist “succeeds” when they gain the favors of a very, very small economic elite. Artists and artist/wannabes are looked at as a source of income by everyone else…art supply companies, colleges, curators, jury fee shows, hanging fees, advertisers, writers and all. We’re so easy to market to. One of the keys to marketing any product is to define the target audience. While artists are an easy to define and reach target audience,it is not so easy for most artists to discover, define or reach their target audience, which is, as mentioned, minuscule (usually) and elite (with all the barriers to access that the elite can afford.) Most artists would probably just be happy with an even playing field, an opportunity to let their work be shown and let the chips fall where they may. But most are denied the opportunity of exhibiting.
Mark Staff Brandl
May 18th, 2010 at 7:08 am
My wife is a “real” business coach, management consultant, etc. for health and social organizations and bosses primarily, but also for other businesses. So I know the value of such advice and outside analysis. BUT, in the artworld, I see it differently. Now is the time to be building new forms, new communities, new options, new systems. The one now is fading fast, so we should take the opportunity, the window of opportunity, in a different direction. If Art Coaching at all, then i see the only good things would be truly rigorous critiques and discussions of the WORK, not the carreer.
ted stanuga
May 19th, 2010 at 2:45 pm
Nicely put Mark I really agree with that. Critique the work and not the career.
Craig A. Anderson
May 22nd, 2010 at 1:48 pm
I think the “Crit” is the big risk that all Artists have to take! Especially if you ask other Artists to “Crit” your work. It would be fortunate to include dealers, critics, curators, collectors and others (academics) to be a part of this “Crit.” It’s only then, when your Art is out there “swinging in the breeze” for all to see, that doors and windows of opportunity open or close. It’s too bad that “Critique” is losing favor in our schools and that more and more Artists do not wish to participate or take the risk to find out if their Art connects!